
Lobby Display
Our Lobby Display will feature photos of Maria Irene Fornes, as well as images from the play. On one display board, images of Isadora Duncan, Voltairine De Cleyre, and Emma Sheridan Fry will be featured. On a projection screen, videos of Isadora Duncan’s dance styles will play, to give the audience an opportunity to see the style of movement she has. Additionally, the artwork of Francisco Goya and Peter Paul Reubens will be featured on a display board. The aim of the lobby display is to visually engage the audience in the world of Fefu and Her Friends and familiarize them with the references within the play.
Speaker's Night
Our production will welcome four women to speak on the legacy of Maria Irene Fornes and the impact of her work on the Lantinx theatre community across generations. Latinx playwrights Cusi Cram, Quiara Alegría Hudes, Erlina Ortiz, and Gabriella Sanchez will join us following performance of Fefu and Her Friends. Cusi Cram and Alegría Hudes are both featured in The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes, published by playwright and scholar Anne García-Romero, a former student of Fornes. To read the biographies of the speakers, please see below.




Cusi Cram is a playwright, professor, director, screenwriter and women’s advocate. Cusi’s work is studied in The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes. Her work has been supported by The Fornes Institute, a division of the Latinx Theatre Commons. Her plays have been produced by: Primary Stages, LAByrinth Theater Company, The Denver Theater Center, Princeton’s Lewis Center for the Arts, The Williamstown Theater Festival, South Coast Repertory, The Atlantic Theater, Cornerstone Theater Company, New Georges, and on stages large and small all over the country. Cusi was a long-time writer on WGBH’s children’s program, Arthur for which she has received three Emmy nominations. She's written on television shows for both kids and adults which have aired on, Amazon, PBS, and the BBC. Cusi sits on the board of the Leah Ryan Fund for Emerging Women Writers and is a member of New Georges’ Kitchen Cabinet and Labyrinth Theater Company. She is the former Director of Outreach for the Lilly Awards Foundation, which honors notable women in theater and seeks to shine a light on issues surrounding female theater makers. Cusi is a graduate of Brown University and the Lila Acheson American Playwright’s Program at Juilliard.
Quiara Algería Hudes, a Philadelphia native, is Pulitzer Prize -winning playwright of Water By the Spoonful; author of a memoir, My Broken Language; and screenwriter for the major motion picture In the Heights. Previously, she wrote the book (aka script) for the Tony Award-winning Broadway musical In the Heights along with other plays and musicals that have been produced around the world. Her notable essays include High Tide of Heartbreak in American Theater Magazine and Corey Couldn’t Take It Anymore in The Cut. In opposition of the carceral state, Hudes and her cousin founded Emancipated Stories, a platform where people behind bars can share one page of their life story with the world. As a barrio feminist and joyous mischief maker, Quiara y su hermana created the Latinx Casting Manifesto.
Erlina Oritz is a Dominican-American playwright, performer, and theatre maker from Reading, PA. She graduated with a BA in Theatre from Temple University. Her heartfelt and timely plays on gentrification, domestic violence, and cultural preservation have been produced with Power Street Theatre where she is proud to be Co-Artistic Director and Resident Playwright. She has performed for WHYY’s First Person Arts series, and in 2019 she gave the Keynote Address at the Delaware Writer’s Conference. Erlina has received the Amtrak Writer’s residency, the Signal Fire Outpost Residency, and her play She Wore Those Shoes had a developmental reading at Theatre Exile’s Studio X-hibition Series. In 2018 Erlina’s play Las Mujeres premiered with Power Street to sold out houses and rave reviews picking up a Bonaly Award for Creation of Community Joy, and in Spring 2019 her play Morir Sonyando was nominated for six Barrymore Awards at Theatre Philadelphia including Outstanding New Play. Erlina is a 2020 recipient of the Leeway Art and Change Grant. She has taught playwriting with the University of the Arts, Power Street Theatre, and Blue Stoop phl. Erlina believes being an artist is a superpower, she believes in using her powers for good.
Gabriela Sanchez inspires and supports creative innovations among art and culture organizations, artists, youth, and community members while centering the magic of collaboration and collective power. A Philadelphia native, she received a Bachelor of Arts in Theater from Temple University. Her former leadership roles include Director of Education at Norris Square Neighborhood Project, Cultural Enrichment and Facility Manager at Taller Puertorriqueño, and six years in residence at the Department of Recreation with Conflict Resolution Theater. As a teaching artist currently working for the Arden Theatre Company and Philadelphia Young Playwrights, Gabriela has used theatre to activate imaginations within diverse classrooms for over a decade. Gabriela is a proud recipient of the Leeway Art and Change Grant (2016, 2019), GALAEI David Acosta Revolutionary Leadership Award (2017), the Knight Foundation’s Emerging City Champions Fellowship (2018), and was a keynote speaker alongside Quiara Alegría Hudes at the 2018 Association for Theatre in Higher Education Conference: Theatres of Revolution: Performance, Pedagogy, and Protest, in addition, to the plenary speaker for the 2019 Theatre Communications Group National Conference.
Wine-Down Wednesday
To celebrate Fornes’s heritage as a Cuban American, Wine Down Wednesday will opt to leave the wine bottles in the cellar and feature an effervescent, refreshing and classic cocktail: The Old Cuban. Made with mint leaves, champagne, and Cuban rum, this cocktail will be a little something special to offer ahead of the performance. Additionally, mini-Cuban Empanadas (in vegetable, beef, and chicken varieties) will be served as a small bite to enjoy!
To make an Old Cuban at home, click here to see this recipe from New York Times Cooking. Mint leaves are a must – no extract! I highly recommend using fresh mint leaves from your garden, if you have them!

Educational Videos
Running in the lobby, I would love a monitor to display the interviews with Maria Irene Fornes by Ed Wilson, filmed in 1990. Although they are lengthy, I think they could either be cut to play what is most useful to the production or simply left to run. I would especially like to include the beginning ten minutes of The Rest I Make Up, the documentary on Fornes directed and created by Michelle Memran, as it features several renowned playwrights speaking of Fornes and her influence. I also would like include a short video of theatre artist Elisa Bocanegra, who eloquently describes the impact that Fornes had on her life.
Budget
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Lobby Display
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Printed Materials: $25
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Television Stand Rental: $35
Wine Down Wednesday
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Ingredients for Old Cuban (rum, mint, champagne, bitters): $100
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Recyclable coup glasses: $15
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Tip for Empanada delivery service: $25
Catering for Wine Down Wednesday will be provided generously by our donors.
Compensation for Speakers will come from another fund.
BUDGET USED: $200
TOTAL BUDGET: $200